Design Middle East, January 2023
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design-middleeast.com
J A N U A R Y 2 0 2 3 |
D E S I G N M I D D L E E A S T
Interiors and architecture
from the Gulf,
Levant and beyond
NOLTE KÜCHEN
SHOWROOM
ABU DHABI
CEM
KAPANCIOGLU
UNIVERSAL
TRADING COMPANY
hosted the grand opening of
Nolte's showroom in
Abu Dhabi
CK ARCHITECTURE
INTERIORS
On why he is a big
advocate of sustainability
THE
PERFECT
TEAM
MEET THE SANGANEE
BROTHERS WHO ARE
TAKING THE INDUSTRY
BY STORM
MIHIR/SANGANEE
CREATIVE DIRECTOR
Designs distinctive
human-centric solutions
DHAVAL/SANGANEE
EXECUTIVE DIRECTOR
Innovates the production
and fit-out operations
DESIGNSMITH
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Inspiring Solutions
For Tomorrow
IDEAL STANDARD MENA
T + 97148042400 | E idealstandardgulf@idealstandard.com
IDEAL STANDARD DESIGN & SPECIFICATION CENTRE
Building 7, Happiness Street, City Walk, Dubai, UAE | T + 97143096000
www.idealstandardgulf.com
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INTERVIEW
Aesthetics & Functionality
Cem Kapancioglu, founder and
managing director of CK Architecture
Interiors, discusses his unique
architectural perspective, how finance
and design are parallel pursuits for
project success, and why he is a big
advocate of sustainability.
20
0P-ED
Design Balance
Abeer Sultan Al Ameri, founder and CEO
of Salud Design, explains how finding
the right balance between modern and
antique designs is an art.
28
DECOR REVIEW
A Royal Affair!
Rajiv Kapoor, general manager of
Fairmont Jaipur, discusses the royal
influences on hotel design, how
restaurants contribute to success, and
22
What makes
Designsmith Dubai's
most coveted design
& build firm? Mihir, the
Creative Director, and
Dhaval, the Executive
Director, take us on an
intriguing journey of how
creative seeds sown at
a young age proved to
be the learning ground
and foundation for their
growth and expansion.
how this property has become the most
popular for lavish weddings.
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INTERVIEW
Building Creative Futures
Mohammad Abdullah, president of Dubai
Institute of Design and Innovation (DIDI), talks
about the institute's participation in Dubai
Design Week, opportunities for students, and
his vision for the future.
36
F&B
ELECTRIFYING!
Lynn Lin, co-founder of the Electric
Pawn Shop in Dubai, discusses how her
entrepreneurial skills aided her success in
the F&B industry, as well as her goals and
expectations for 2023.
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EVENT PREVIEW
Looking into the Future
The Salone del Mobile.Milano 2023 adopts a
different guise, with a new general exhibition
layout, illustrating the possible future evolution
of the trade fair exhibition with Euroluce.
44
KITCHEN
Double reason to celebrate!
UTC commemorates its 50th anniversary
with a renovated Abu Dhabi showroom and
the Design ME Award.
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HOSPITALITY DESIGN
Design Central
Woods Bagot explains the design details of
the 25hours Hotel One Central in Dubai, the
first 25Hours Hotel outside of Europe.
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DESIGN WELLNESS
Design that promotes well-being
Vrushali Mhatre, Assistant Professor School of
Textile and Design at Heriot-Watt University
Dubai, sheds light on the evolving attributes of
design, its implementation, and how this can
significantly contribute to overall well-being.
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PROJECT
The Cosy Vibes!
ZKing Interiors' Madisson House project in
Moscow combines warm wintery hues with
French landscape style.
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CO-WORKING SPACE
Ladies, you're most welcome!
The Bureau Business Center (The Bureau),
the UAE's first female-focussed co-working
space, has opened in Dubai's Gold &
Diamond Park.
Behind Its Success
THE FACES
Designsmith:
COVER IMAGE COURTESY
© ALEXANDER BUNGAS
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Editor's note
CEO WISSAM YOUNANE
wissam@bncpublishing.net
DIRECTOR RABIH NAJM
rabih@bncpublishing.net
GROUP PUBLISHING DIRECTOR
JOAQUIM D’COSTA
jo@bncpublishing.net
+971 50 440 2706
EDITOR ROMA ARORA
roma@bncpublishing.net
CREATIVE LEAD ODETTE KAHWAGI
design@bncpublishing.net
ART DIRECTOR
SIMONA EL KHOURY
MARKETING EXECUTIVE
AARON JOSHUA
aj@bncpublishing.net
DIGITAL MEDIA PRODUCER
ALEXANDER BUNGAS
Alexandar@bncpublishing.net
T
he new year brings with it new and
exciting ideas and plans. One such
great plan that we are all working
towards is recognising and saluting the
emerging and great talent in the KSA
region's design and architecture indus-
try. Design Middle East will host the first
edition of its KSA awards in Riyadh in Feb-
ruary 2023. Join us in making it a success
by nominating or participating as our star
sponsors. Visit our social media platforms
for more information.
Moving on to our very first edition of the
New Year, we have the supremely talented
designer duo of Sanganee brothers- Mihir
and Dhaval from Designsmith. These boys
made a lot of noise with their incredible
team at the Design Middle East Awards
2022, sweeping some of the coveted titles
at the gala event.
Mihir and Dhaval graced our January
cover and discussed their journey from
humble beginnings to becoming one of the
region's leading design firms.
While Mihir is the creative force, Dhaval
manages production and fit-out opera-
tions. Both put forth their best knowledge
and expertise in delivering a one-of-a-
kind projects. Their story is inspiring to
all those who have big dreams and work
tirelessly to achieve them.
They also highlighted that how one
cannot lead and achieve it all and stand an
empire. For them going forward with their
team is the real essence of success which
they truly value. This is a must-read!
In addition, we have other exciting reads
this month, and I am particularly fond of
the Contardi Ongo table lamp, which is
featured in our Pick of the Month segment.
This mushroom-inspired lamp is both
adorable and functional.
Roma Arora
Editor
roma@bncpublishing.net
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As builders of the
future, we work all day
to make your daily life
better. By thinking
beyond chemistry.
Whether it’s biotechnology, physics or materials science – we
connect disciplines, areas of expertise and perspectives to
create sustainable solutions that add value in partnership with
our customers. Our specialty additives make the difference for
end products becoming more valuable, more durable, more
energy-efficient and in many ways simply better. And that
answers the question of why we exist: to make people’s lives
better day in, day out. Leading beyond chemistry to improve
life, today and tomorrow.
www.mea.evonik.com
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News
Godwin Austen Johnson appointed for new Serenia Living
on Palm Jumeirah
G
odwin Aus-
ten Johnson
(GAJ) has
been ap-
pointed by
Palma De-
velopment
as the lead architect for the
new Serenia Living residential
complex located on The Palm
Jumeirah.
The appointment follows
the success of the Serenia
Residences, also on The
Palm Jumeirah, designed
and handed over by GAJ in
2018, and will offer an array
of 225 exclusive residences
featuring a mix of two- three-,
and four-bedroom units as
well as half floor and full
floor penthouses, across four
unique buildings. Two of the
towers will be dedicated to a
collection of 22 penthouses
and each building will be
crowned with a one-off
duplex Sky Mansion.
The project features one of
the largest wellness clubs
in Dubai, which includes
a spacious gym with a
dedicated training studio and
a spa with a sauna, steam
room and an ice plunge pool.
It will also include a children’s
play area with a games room,
outdoor pool, cinema and
an array of external sports
facilities and courts.
“As with the Serenia
Residences we wanted to
create a contemporary
product with clean
architectural lines that
responds to its unique setting
and creates its own unique
resort environment,” said
Jason Burnside, partner
at GAJ. “The location of
the project has led our
design approach through
references to the shoreline
and city views on one side
to the vast expanse of the
Gulf and setting sun on the
other. These are subtle but
elegant and feature the
nautical references to curved
balconies and champagne
colour tones of the razor
clam cladding panels of
the buildings that change
with the sun movement
throughout the day. With
such spectacular views on
all sides, it was critical to
incorporate sliding floor-
to-ceiling glass walls with
generous balconies to
maximise the opportunity
for residents to enjoy a truly
luxurious connection with
nature.”
The development also
includes a clubhouse on the
beach with a café and storage
for watersports equipment.
Bringing it all together is the
landscaping with intentionally
placed design elements
that help foster connections
between the buildings, the
beach, and users.
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ROSHN HQ in
Riyadh
G
lobal architec-
ture and in-
terior design
practice Scott
Brownrigg
completes
the fit-out
of ROSHN
Real Estate
Headquarters in Saudi Arabia.
Supporting Saudi developer ROSHN’s
commitment to increasing Saudi Arabian
home ownership and enhancing econom-
ic growth, the headquarters is located in
Riyadh, the first of nine locations iden-
tified for the development of modern,
aspirational and integrated communities
across Saudi Arabia.
The overall design concept offers a
contemporary take on traditional Saudi
Arabian design and craftsmanship. A
considered internal layout with a range of
work settings distributed across multiple
floors provides employees with choice,
Scott Brownrigg completes the fit-out of Saudi developer
ROSHN’s HQ in Riyadh
flexibility and ownership in how and where they work; a space that
embodies the values of ROSHN.
Creating a high-quality space for partners and clients to positively
engage and interact, the new headquarters demonstrates a commit-
ment to the people they work with, and to future communities across
the Kingdom.
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design-middleeast.com
News
T
he Sharjah
Research,
Technology,
and Innovation
Park (SRTP),
which is home
to the region’s
first 3D-printed
house, is
looking into new applications for
this technology, including street
furniture.
To disseminate knowledge
in the latest construction and
digital fabrication technologies,
Middle East Engineering
Technologies (MEET) and
SRTIP hosted a workshop titled
“Innovating Street Furniture with
3D Concrete Printing” at the 3D
Printed House at SRTI Park.
Commenting on SRTI’s
plans for pushing 3D printing
innovations, Hussain Al
Mahmoudi, CEO of SRTIP, said:
“3D printing is a technology
whose time has come. We
believe 3D printing is set to
revolutionize the construction
industry. The construction of
the first house of architectural
heritage with the three-
dimensional (3D) printing
techniques at the Park is a
testimony to our mission to
boost the usage of 3D printing.
We are delighted to host this
workshop which helped throw
new light on the application of
the emerging technology.”
Haidar Alhaidary, Projects
Executive at MEET, presented
various insights into the new
technology and explained
the unique features of the 3D
printed villa, and the possibilities
for innovating concrete street
furniture.
A follow-up discussion with
the attending professors,
young engineers, and students
explored public opinion on the
technology and the various
pathways it is expected to take
as it enters into universities’
future engineering programs.
The attendees also visited the
3D Concrete Printing facility at
the 3D House and watched the
robotic printer in action.
Being one of the first
organisations regionally and
globally to adopt 3D concrete
printing, and having built the
first 3D-printed villa in the
UAE, MEET is committed to
collaborating and contributing
along with its key partners to
further the technology.
Global interest in 3D concrete
printing has been exponentially
increasing since 2016 with
numerous applications being
explored in an attempt to
maximise the benefits of the
technology.
The 3D Printed House at SRTI
Park is an architectural marvel.
The entire house was built
with cutting-edge technology,
incorporating the heritage of the
UAE, and symbolising Sharjah’s
vision to be a hub for 3D printing
technology.
3D printing manufacturing
is a process of making three-
dimensional solid objects from
a digital file. The creation of a
3D-printed object is achieved
SRTI Park explores the possibilities and concept of 3D street furniture
By introducing 3D Printing, SRTI Park has
created a vibrant and supportive environment for
experiments and research in the field of future
building technologies and fourth-generation
technologies.
using additive processes. In
an additive process, an object
is created by laying down
successive layers of material
until the object is created.
Dimensions are usually faster,
more affordable and easier to
use than other manufacturing
technologies. 3D printers allow
developers to print intricate
interlocking parts and can make
parts of different materials
with different mechanical and
physical properties and then
assemble them.
Page 13
Germany’s Most Popular
Kitchen Brand
Third Time
running!
@utcllc.ae
@universal.ae
@universaltradingcompany
Universal Electrical Equipment Est.
Umm Al Sheif, Sheik Zayed Road,
Dubai, United Arab Emirates
Tel. No.: 04 282 3443
Universal Trading
Al Markaziyah West W5,
Abu Dhabi, United Arab Emirates
Tel. No.: 02 633 5331
Universal Trading
118th Street, Sanaiya,
Al Ain, United Arab Emirates
Tel. No.: 03 721 6660
www.utc.ae
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design-middleeast.com
Havelock One completes interiors of the new Grand Cinemas in Taif, Saudi Arabia
New Grand Cinemas in Taif,
Saudi Arabia
H
avelock One, a leading interior
fit-out and manufacturing group in
the region, has proudly contributed
to expanding the cinematic
experience in Saudi Arabia. A new
Grand Cinemas branch has opened
in The Park Mall in Taif, marking
the group’s second location in the
Kingdom.
The cinema comprises 11 screens with a seating capacity
ranging from 40-299, equating to a total seat count
of 1243 across 3,391 sq. ft. Grand Cinemas retained
Havelock One to complete a full fit-out of the space
including 11 screens, the impressive main entrance façade
and two grand lobbies. All joinery, metal, and glasswork,
including furniture and windows, were manufactured in
Havelock One’s Bahrain factory and shipped to the site
for installation.
Syed Kashif Akhter, Group Managing Director at
Havelock One says, “Havelock One is pleased to
showcase once again our ability to deliver superior
interior solutions in the entertainment sector. Our
capacity and multi-skilled workforce ensure we are
able to rise to any challenge and can meet and exceed
the expectations of our client in both quality and
timescales”.
Grand Cinemas remains committed to developing
new technologies within the cinema sector, including
groundbreaking MX4D® technology with moving seats,
which enables the viewer to experience the film across
all senses, including motions, jolts, wind, water and
scents.
The cinema sector in KSA is rapidly growing since the
Kingdom lifted its 35-year-long movie screening ban four
years ago and Grand Cinemas has recently expressed
plans to further expand its network in the country.
News
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Sedar Global unveils new store designs and opens new locations
across the GCC
From consulting,
manufacturing, delivery to
installation – Sedar worked
closely on design elements
of their e-commerce
platform to build in virtual
home consultation services
for taking measurements and
styling consultancy.
S
edar Global
celebrates
the end of
2022 by
announcing
record annual
sales over
the past
12 months.
Operating
in 11 countries and with over 30
showrooms across the GCC and
MENA regions including UAE,
Kuwait, Saudi Arabia, Egypt,
Bahrain, Iraq, Yemen, Qatar, Oman,
Sudan as well as design hub in
Northern Italy – the worldwide
interiors powerhouse has also
announced further expansion
across the GCC. A brand-new store
has opened in Al Zahia City Centre
Sharjah for end of year 2022, as
well as the expansion of Sedar’s
Khalidiya store in Abu Dhabi.
Demonstrating a dedication
to move with the times which
has kept them on top for over
a century, Sedar Global has
also rolled out a revamped look
throughout 8 GCC stores in the
last year, with a plan to extend this
number for 2023. Aiming to reach
a wider, international millennial and
Gen Z audience, the spaces take on
a more friendly and approachable
visual identity. Inspired by
Sedar Global’s highly successful
marketing campaign ‘Your Space
Your Art’, store interiors are
brightened with bold colours
and include new technology to
create interactive design spaces
enhancing consumer engagement.
Nahel Selo, creative director at
Sedar Global, says: “We are thrilled
to announce record sales across
the past 12 months for Sedar
Global. We are seeing a high uptick
in sales across the entire interior
design industry post pandemic,
which we think is due to more
people continuing to work from
home and also due to a shift in
D E S I G N M I D D L E E A S T | J A N U A R Y 2 0 2 3
perceptions of what a home space can and should be. The challenge
for 2023 is the push these boundaries further, anticipating what our
customers want and showing them new pathways to comfortable living.”
The revitalised eight outlets across the GCC include Khobar Jeddah, Al
Madina Dubai, King Abdallah Showroom and Riyadh in KSA, Sheikh Zayed
Road Dubai, Doha stores in Qatar and Bahrain. Specialising in window
fashion and wall décor, Sedar have a rich heritage dating back to 1892 in
the Middle East, the family-owned business is best known for its tailor-
made products and focus on a customer orientated approach.
The renowned VIP in-store experience which will reach new levels in
2023, Sedar Global’s e-commerce platform has seen a refresh for 2022
including the virtual store and high end-to-end shopping immersive VR
experience. E-commerce now accounts for 8% of Sedar Global’s overall
sales attracting new GenZ and Millennial buying audiences. This is a
significant number since the ecommerce launch in 2020 and due to the
fact Sedar sells bespoke made goods which customers usually opt for in-
store experiences for this type of interior fit-out. The brand has acquired
over 18,000 leads since January 2022 converting these to sales both
online and in store.
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design-middleeast.com
News
M
E Dubai
continues its
long-standing
commitment
to supporting
the arts and
creating
memorable and immersive
experiences for guests by
welcoming modern visual artist
Kristel Bechara as its newest
Artist in Residence from 19th
January until 17th February 2023.
Presented in the hotel’s iconic
Atrium, designed by the late
Dame Zaha Hadid, the exhibition
aims to provide a gateway for
curious minds, combining original
artworks, prints, and NFTs in a
singular space, allowing guests
to witness a beautiful union of art
and technology.
The exhibition explores the theme
of ‘Wise Women’, as a modern-
day interpretation of the ancient
Japanese proverb of Three Wise
Monkeys, which has been subject
to extensive philosophical and
political commentary over the
years. Building on a previous series
of artworks titled, ‘The Three Wise
Women’, these paintings update
the proverb to better suit the
human condition of existing in
this fast-paced world, with four
new tenets added to the original
proverb: Think no evil. Do no evil.
Admit no evil. Post no evil.
Each of the seven resulting
artworks features a wise woman
as an allegorical representation
of each tenant of the updated
proverb. The front-view portraits
of the women are meant to evoke
a sense of philosophical curiosity
within the viewers, making them
question the intentionality and
virtues by which they choose
to live their lives by. Framed in
dramatic poses, these wise women
may amuse the viewer with their
coy expressions and vibrantly
painted hands, but underneath
their monochromatic beauty lies
an invitation to explore the vivid
spectrum of morality and actions.
The show will exhibit three distinct
versions of the artworks. Firstly,
the hand-painted acrylic artworks
will be displayed in the traditional
manner, using cotton canvases
stretched on wooden internal
frames along with external,
decorative wooden concrete
frames. Along with the paper
certificate of authenticity, all these
traditionally painted artworks will
be sold with their respective NFTs
which will be transferred to the
buyer’s crypto wallet.
Kristel comments: “By inviting
visitors to explore the entirety of
this show and the juxtaposition
of the art with the digital, I aim
to encourage them to not only
appreciate the art but also gain
an intimate understanding of how
NFTs help artists like myself to
establish provenance for their art
and safeguard the authenticity of
their work. I am incredibly excited
about my upcoming collaboration
Kristel Bechara’s ‘Wise Women’ series will be on display at ME Dubai
with ME Dubai, a hotel that has
gained an impressive reputation
for championing world-class
artistic talents, with a specific
commitment to the importance
of female representation, with
really resonates with me. I feel
it to be the perfect venue for
my next solo exhibition and
the presentation of my female-
orientated works.”
Guests visiting ME Dubai’s
Atrium will be able to see first
hand Kristel’s dynamic artistic
capabilities during her month-
long residency, starting with a
VIP Vernissage on 18th January,
before opening to the public on
19th February.
Limited print editions will also be
displayed within Suite ME, consisting
of 25 unique prints for each of the
seven ‘Wise Women’. Each print has
been digitally drawn and printed on
transparent acrylic with aluminium
hangings, and also comes with its
own NFTs.
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D E S I G N M I D D L E E A S T | J A N V I E R 2 0 2 3
Serene Versante is a
beachfront Signature Villa on
Palm Jumeirah's Billionaires'
Row. This property features
6-bedrooms, 10 bathrooms,
private cinema hall, infinity
swimming pool, private
gym, outdoor terrace with
barbecue area, and custom-
made basement parking.
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Interview
AESTHETICS &
FUNCTIONALITY
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Can you provide a brief overview of your background, expertise, and
unique architectural perspective?
I studied Architecture at Mimar Sinan Fine Arts University for seven
years. I then founded CK Architecture Interiors in 2010. The company
started growing on the back of project wins for clients such as Anantara
on the Palm and Burj Khalifa. Prior to that, I gained valuable sector
experience by working for Dubai-based consultancy Eronat Engineering.
I then went back to Istanbul to work for design firms like Kocaciklioglu
Architects and Arketipodesign before I returned to Dubai where I
worked with Rixos Group for a project worth around US$500m.
What is your guiding design principle?
I see design as the unity of two principles—aesthetics and functionality. I
take these two principles to set my limits from the start to the end of my
design process. Successfully combining both of these ensures that the
project is in perfect harmony. >>>
Cem Kapancioglu, founder and managing director
of CK ARCHITECTURE INTERIORS, discusses his
unique architectural perspective, how finance and
design are parallel pursuits for project success, and
why he is a big advocate of sustainability.
Page 20
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D E S I G N M I D D L E E A S T | J A N V I E R 2 0 2 3
Interview
How is the role of architecture evolving in
terms of designing for the end-user?
I want to mention that many people see
architecture as a type of art, therefore, it is
simply a very subjective field. Tastes cannot be
defined in a general sense but can be described
in mutual connections. Oscar Wilde says: “It is
better to be beautiful than being good. But it is
better to be good than to be ugly.”
Following this quote, we focus on learning key
things about the end-users of our projects. We
start with the problems they are directing us to
in terms of their design needs and we enhance
it by learning about their lifestyle so that when
we suggest our design solutions we ensure that
we not only match up but also exceed their
expectations.
CK Architecture places
a strong emphasis on
sustainability. In the world of
architecture, sustainability
is and will continue to be a
major trend.
This multi-storey building
is adorned with greens for
the biophila effect.
How will your recent studies in finance and
real estate help you in the field of design and
architecture?
I recently finished the programme of Real
Estate Economy and Finance at the London
School of Economics and Political Science.
The programme helped me gain a deep
knowledge of the real estate industry from a
macroeconomic perspective.
Finance and design, are parallel pursuits on
the path to a successful project. My recent
programme on real estate has helped me
widen my vision in analysing and taking
strategic initiatives throughout the lifecycle
of the projects I am working on. Financial
success is as important as client satisfaction
once the project is handed over.
I have encouraged my design team to
approach our finance team throughout the
design and build process to maximise project
performance and profitability.
Studies I conducted on the real estate
market have also helped in the design
process as the luxury real estate market in
our region is on an upward trajectory and is
predicted to go even higher in the coming
years.
In short, combining these different theories
help us in recalibrating the future of our
company. >>>
The brand finished their LEED Platinum-certified office
building, CK Design House, in Izmir, Turkey, last year. Every
small detail on that project was chosen and implemented
with care. CK Architecture used natural and local elements
to maximise sustainability features and created a soulful
office space.
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19
Bluewaters Penthouse
1601's interiors by
CK Architecture are
glamorous and exude
luxury and class.
Are you optimistic about the power of
architects to shape sustainable cities?
I want to be optimistic about this issue. For us
architects to direct the market to sustainable
design solutions, we need to take full
responsibility and show our leadership skills.
This will require suffering at first but if we
don’t do our bit today i.e. influence the public
on the importance of sustainability, we will not
be in a position to make the switch.
What trends are you paying attention to in
your projects right now?
There is a big focus on sustainability within
our company. Sustainability is and will be the
major trend in the world of architecture.
In addition, with the growing number of ultra-
luxury real estate projects in the region, we
are also closely following up on this trend. As a
vertically integrated design and build boutique
specialising in the creation of opulent living
and working spaces, CK Architecture Interiors
was responsible for the design and build of
Casa del Sole – the most expensive villa sold
in Dubai earlier this year. We are also working
on a few other uber-luxury villas on Dubai’s
Billionaire’s Row.
Can you tell us about any special projects you
are working on that exemplify innovation?
Last year we completed our LEED Platinum-
certified office building, CK Design House,
in Izmir, Turkey. Every small detail on
that project was thoughtfully chosen and
implemented. We tried to make use of
natural and local elements to maximise the
sustainability features and build an office
space with a soul. Many innovations were
practiced, from a transparent central core with
the help of glass material from the roof to the
basement level, collecting rainwater and solar
panels and so on.
Here in Dubai, we are pushing the limits of
luxury living with our design applications.
From basement levels that you can only see in
sci-fi movies with the harmony of technology
and luxury, to basement bowling alleys with
a view to the swimming pool on the ground
level.
Which building do you wish you had
designed in the Middle East?
As a loyal alumni of the school that has been
named after and being from the same land as
I am, I wish I had been a part of Suleymaniye
Mosque when Sinan was designing.
Very different times but the idea is the same
– perfection in every detail thoughtfully
considered and strategically placed. Much like
Sinan, we place great emphasis on attention to
detail which is one of our main pillars when it
comes to design.
What do you think will be the most
significant trends and developments in
architecture over the next five years?
I will mention sustainability again and again.
In addition, tech-driven spaces incorporated
with design and minimalism will evolve to
ultimate limits in all senses. Capsule living
spaces from Japan, for example, will have big
impacts on the design world in the future. Still,
the demand for ultra-luxury will be always
there.
D E S I G N M I D D L E E A S T | J A N V I E R 2 0 2 3
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design-middleeast.com
OP-ED
W
ebster defines
balance as a
pleasing order-
ly and artistic
arrangement
of elements.
It makes one wonder how some-
thing artistic can ever be orderly.
However, we frequently see this
applied to almost all aspects of
life, whether small or large, such
as relationships, work life, getting
dressed, food, and home design. As
a designer, this is very intriguing
to me.
Classic vs Modern, like art and
order, are two obvious contrasting
styles in home design; classic is
there to tell a story and is timeless,
whereas modern is more specific
and is there to fulfil a practical
purpose. As a result, we find it
challenging but never impossible to
combine these styles.
Creating a balanced atmosphere
that exudes harmony and comfort
necessitates the presence of a uni-
fying object, something that binds
the entire space together and gives
it reason and sense. This specific
bonder can be a space-comple-
menting colour, material, art piece,
fabric, or pattern; just one item,
when found and used correctly, will
be the perfect icebreaker for the
style matchmaking.
Interior design, as an ever-evolv-
ing field, will always present its cre-
ator with challenges, and the more
they occur, the greater the skill
grows. In today's fast-paced world,
we see homeowners acquiring
simpler interior styles that are less
Design
Abeer Sultan Al Ameri,
founder and CEO of Salud Design,
explains how finding the right
balance between modern and
antique designs is an art.
A luxurious copper-infused
dining table made by Basha Al
Atrabi, who created furniture for
King Farouk of Egypt.
balance
cluttered and have clean visible
lines. This same trend has been
seen in architectural designs, the
look of the future, and progress.
Alternatively, there is no denying
that people are drawn to ancient
designs. Every year, approxi-
mately 750 million tourists travel
worldwide, with close to 20% of
them travelling specifically to visit
historical museums and a half >>>
D E S I G N M I D D L E E A S T | J A N U A R Y 2 0 2 3
Page 23
D E S I G N M I D D L E E A S T | J A N U A R Y 2 0 2 3
design-middleeast.com
21
travelling to see the Palace of Ver-
sailles. People are always interested
in history and how it all came about,
so this is a growing market that will
continue to grow.
The brilliance and grand status of
historical buildings and interiors is
a fading art. The stories of luxurious
balls and grand love stories have al-
ways been the focal point of curios-
ity and an attractive entertainment
plot, a mystical existence that we all
at one point wished to live in. Every-
one desires a piece of history as well
as the luxury and status that comes
with living in a classical home.
Every ornate detail in a vintage
furniture piece, every intricate
wallpaper pattern, and every per-
fuse carving on a chair represents
a magnificent opulence in a living
style that is never affected by time,
regardless of the century, it is used.
Such furniture design becomes a
story to be told and gains in value
over time. This is why we now see
interiors that combine futuristic
and classical elements - walls with
simple panels and velvet extended
drapes, a combination of wall-hid-
den Led lighting complementing
crystal chandeliers over a clean
white sleek sofa. Details that were
once frowned upon have now been
combined to create a one-of-a-kind
designed home.
Contrasts will continue to exist
in all fields, and the designer's
imagination and creativity will be
the tools used to present them in a
positive light. We live and work in an
ever-changing country where noth-
ing is impossible, which provides a
breeze of encouraging support for
any designer to always strive for
excellence.
Classic vs Modern, like art and order, are two
obvious contrasting styles in home design; classic
is there to tell a story and is timeless, whereas modern
is more specific and is there to fulfil a practical
purpose. As a result, we find it challenging but never
impossible to combine these styles.
Master bedroom - A custom hand carved and
detail painted classic pillar bed also created by Al
Atrabi with silk curtains custom made for the bed
created by Al Rankoussi in Damascus Syria.
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22
design-middleeast.com
Behind Its Success
THE FACES
Designsmith:
Designsmith's projects range from international hotels to private villas, bespoke furniture to handcrafted joinery.
D E S I G N M I D D L E E A S T | J A N U A R Y 2 0 2 3
WORDS BY ROMA ARORA
Cover story
Page 25
design-middleeast.com
23
W
ith their innate talent and unstoppable spirit, they
are redefining the design industry. Meet the Sanga-
nee brothers, who are wooing the region with their
out-of-the-box ideas, innovative designs, and timely
project delivery. While Mihir is Designsmith's cre-
ative force, Dhaval’s expertise brings these creative
solutions to life ensuring client expectations are met
not just with their concepts but with impeccable
execution.
Designsmith made a splash at the Design Middle
East Awards 2022, taking home several prestigious
awards. In this candid chat with Mihir and Dhaval, we talk about their creative journey,
exciting projects, and what the future holds.
Mihir talks about their humble beginnings and early learnings. "Our father, an architect,
founded Excel Engineering, the parent company in 1988, to service construction and
fit-out projects in UAE. A lot of our business acumen and inspiration comes from him and
his support led us to create Designsmith. Being an architect myself along with Dhaval’s
expertise as a civil engineer helped us identify a need in the market and form >>>
What makes Designsmith Dubai's most coveted design &
build firm? Meet the extremely talented brothers: The SANGANEE
brothers, DHAVAL and MIHIR, take us on an intriguing journey
of how creative seeds sown at a young age proved to be the
learning ground and foundation for their growth and expansion.
Meet the extremely talented duo: The Sanganee brothers, Dhaval (left) and Mihir, are renowned for their impeccable designs, great insight, and original concepts.
D E S I G N M I D D L E E A S T | J A N U A R Y 2 0 2 3
IMAGE COURTESY © ALEXANDER BUNGAS
Page 26
D E S I G N M I D D L E E A S T | J A N U A R Y 2 0 2 3
24
design-middleeast.com
a one-of-a-kind design and build
studio in the region to provide
comprehensive solutions for our
clients."
Over the last five years, we have
seen the studio truly flourish with
their team more than doubling.
They are currently working
out of a 10,000sqft design and
experience centre in Al Quoz and
will be soon opening doors to
our 200,000 sq.ft. manufactur-
ing facility catering to joinery,
furniture, metal, and marble
needs. This new space will serve
as both - the fitout company
headquarters and an experiential
space for designers. “It is a walk-in
facility, and we will continue to
support the local design industry
with tours, luncheons, and special
workshops. It is also likely to be
the largest space of its kind in Al
Quoz, and will be ready first half
this year," Mihir adds.
"We grew up in a house-
hold where design challenges,
contracting requirements and
projects were frequently and
openly discussed at the dinner
table. Our father's business setup
was instrumental in instilling the
skills and outlook we needed to
establish our studio - both opera-
tionally as well as to understand
client needs so we could design
and deliver exceptional customer
experiences.", Dhaval recalls. He
truly believes that it was this early
exposure to the industry that sets
them apart from other studios and
inspires them to continue to grow
regardless of the market outlook.
Mihir comments: "Our roles
and responsibilities are split
and evolved quite organical-
ly - everything creative and
design-led, including client
relations, is with me, whereas
Dhaval's attention to detail and
meticulously-organised way of
working is critical to our exe-
cution and production tasks. Of
course, we know that our opinions
won’t always be the same but it’s
this understanding that has laid
the foundation for Designsmith’s
success "
Dhaval shares: "I'm a civil en-
gineer, and Mihir is an architect,
so we approach everything in our
creative and execution process
with harmony and balance. We
always have each other's backs,
Cover story
LEFT | M2M in Dubai Hills is designed to strike a pleasing balance between luxury and functionality, sensitivity and rusticity, polished and rough, formal and playful.
RIGHT| 3 Fils' earthy vibes are inviting.
Page 27
design-middleeast.com
25
D E S I G N M I D D L E E A S T | J A N U A R Y 2 0 2 3
but we also believe that healthy con-
flict keeps us innovating and providing
world-class solutions to our clients."
Designsmith is a truly one-of-a-kind
studio in the region; nestled in an
expansive space in Al Quoz, the brand
not only provides clients with a one-
stop destination for their design, build,
joinery, furniture and landscape needs,
but also allows them to live and experi-
ence the details in their projects.
Designsmith places the client at the
centre of all their designs, which is
reflected in their work. Each project is
meticulously executed with the client's
needs and preferences foremost in
mind. Dhaval equips: "The idea is to
work as a team on any project, making
sure we personalise and add a distinc-
tive touch for our clients. We want it
not just look like a well designed space
but we want them to feel it too."
Mihir further adds: "Our goal is
always partnering with our clients,
working with them hand-in-hand
throughout the process, helping them
understand how their decisions will
materialise from render to reality. This
service based approach is key ingre-
dient in us forging long term relation-
ships"
“At Designsmith, we focus on keeping
the client onboarding a seamless pro-
cess that begins with an explanation
of the entire journey and the various
teams involved at each stage. In this
field, design thinking and flawless
planning are critical for success,”
shares Dhaval. Concept, schematic,
3Ds, and detailed designs are then
completed, as well as the discovery
and approval of materials and sample
designs, client workshops for shop
drawings, factory tours, and on-site
visits until snagging and handover.
Designsmith offers hundreds of >>>
The Confidential Office, which spans over 700sqm and is located in Dubai's prestigious DIFC area, is an ideal space for collaboration, events, and ideation.
This industrial-themed office design combines contemporary and minimalist design elements, with a focus on collaboration and teamwork.
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design-middleeast.com
sistently strive for not only
more functional and unique
designs, but also for how they
can be sourced and created
in a sustainable and efficient
manner," adds Dhaval.
As the Creative Director,
Mihir welcomes the com-
plex challenges that come
his way. He says: "The most
exciting aspect of running
and building Designsmith is
taking on demanding projects
and learning something new
with each one. We are both
action-oriented people, so
while we celebrate our ac-
complishments, we are always
working on the next stage of
our growth and expansion."
While Mihir has a positive
outlook on the region’s design
industry, he believes it will
take some time before the
sector fully matures. "The real
estate industry is still growing
at a rapid pace, so the design
industry must also be quick to
adapt and implement emerg-
ing best practices. I think we
are still in the early stages
in becoming a more holistic
design and build industry."
There's a lot of talk about
Cover story
material samples to select from,
a team of 500+ skilled workers at
their manufacturing facility, and
an ever-growing team of experi-
enced designers and project man-
agers who are capable of delivering
luxury residential projects, high-
end commercial and retail spaces,
new and established F&B concepts
and bespoke hospitality needs.
Dhaval says: "Our clients do
not have to deal with the incon-
venience of corresponding with
numerous external partners and
vendors. The entire project is
managed by a dedicated team of
designers and project managers."
The design and build industry
is thriving in the region, and De-
signsmith's in-house capabilities
set them apart.
Mihir explains: "The execution of
vision into reality with design and
build firms has rightfully empow-
ered clients in the region. The ease
of communication, execution,
and overall project management
provided by a design and build
organisation is highly underval-
ued and immensely valued by our
clients."
"Having both design and build
capabilities in-house has also
ensured that companies con-
The Designsmith team celebrates after winning big at the Design Middle East Awards 2022.
The modern setting and use of greens add to the lively atmosphere.
Page 29
The Nautica store by Designsmith exudes clean lines and a striking lighting arrangement, making it a one-of-a-kind space.
AI and other technologically advanced practices, but has it
made its way into the design industry? Dhaval comments:
"There is definitely more awareness and discussion about
spaces built in harmony with technology and AI, but I don't
believe many of these have yet translated into projects. The
potential applications of machine learning and AI in con-
struction and build are vast but we are yet to see these being
implemented on scale.”
Mihir echoes: "As a studio, we embrace technology as a
means of delivering our creative ideas and vision. From pro-
ject walk-throughs instead of static 3D designs to creating
AR versions of concepts to build an extended reality, we use
immersive technology to bring our human-centric designs
to life."
For this young and dynamic duo, every day is a new learning
experience. Also, both Mihir and Dhaval recognise the impor-
tance of surrounding themselves with like-minded individuals
to achieve success and draw strength from the team.
Dhaval says: "I believe that each project provides us with
an opportunity to learn not only from our mistakes, but also
to recognise and repeat our successes.
Furthermore, as we expand, adding people with the
right attitude and skills to the team has proven critical in
maintaining our organizations culture. The team thrives
in the ambience of an ownership based model provided at
Designsmith. This isn’t the norm in the industry locally is
why we see such a large churn rate in designers and project
managers. "
The studio is currently working on some incredible pro-
jects. Two that stand out are a restaurant for a globally ac-
claimed chef in Al Qasr - Jumeirah and the design and build
of a highly prestigious office space for a semi-government
entity in DIFC. Both are bespoke concepts that shine light
on how they combine their creative and execution capabili-
ties as a one stop shop.
Mihir shares: "While we love luxury residential projects
because they allow us to be creative at larger budgets while
exploring architecture as well, the team enjoys the function-
ality and aesthetic planning around UX and human-centric
design in F&B and commercial projects."
The Sanganee brothers, Mihir and Dhaval, have an impres-
sive body of work and experience, but what sets them apart
from the crowd is their eagerness to learn, explore, and
achieve more.
Mihir announces his plans with optimism. "We want to
maintain our incredible growth as a studio while also serv-
ing clients in new markets throughout the region. We are
also looking forward to opening new offices in Saudi Arabia
and India this year, as well as continuing to work with
partners and clients in Qatar, Oman, and Bahrain.” Talent is
something that’s also pivotal in their growth outlook. “The
UAE is rich with incredible global as well as local talent.
We have been supporting home-grown designers and will
always continue to do so. The UAE is the perfect place to
nurture these relationships in order to build a more robust,
sustainable design and build industry in the UAE," signs off
Dhaval.
We want to maintain our incredible growth as a studio
while also serving clients in new markets throughout
the region. We are also looking forward to opening new
offices in Saudi Arabia and India this year, as well as
continuing to work with partners and clients in Qatar,
Oman, and Bahrain."
Mihir Sanganee .
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design-middleeast.com
Decor review
RAJIV KAPOOR, GENERAL MANAGER OF Fairmont Jaipur, DISCUSSES THE
ROYAL INFLUENCES ON HOTEL DESIGN, HOW RESTAURANTS CONTRIBUTE TO SUCCESS, AND HOW
THIS PROPERTY HAS BECOME THE MOST POPULAR FOR LAVISH WEDDINGS.
28
The Fairmont Jaipur is truly
a royal retreat. Built in the
tradition of the region's grand
Mughal palaces, this majestic
hotel offers the best in
modern amenities while also
paying homage to Rajasthan's
rich heritage through design
and attention to detail.
Talk us a little through the royal influences in
your designs for this hotel?
The interiors and details all relate to the story you
create about a young prince who builds a small
hunting lodge in the countryside. Over time and
centuries, the original pavilion has been expanded
to accommodate the growing family and entou-
rage. This reflects the construction.
More than just Mughal architecture, Fairmont
Jaipur integrates the design philosophies of the
Rajputs, Amber Kachwahas, and Mughals. His two
main considerations were combining the experi-
ence of staying in a room with the volume of an
old palace and enjoying views of the countryside
through the impressive splintered arches.
D E S I G N M I D D L E E A S T | J A N U A R Y 2 0 2 3
AFFAIR
ROYAL
A
WORDS BY ROMA ARORA
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design-middleeast.com
29
29
Is there a storytelling element
to the design creation of this
property?
The Fairmont Jaipur story began
with a vision to showcase the state
of Rajasthan and the special place
Jaipur has within the state. Guests
come to Rajasthan with certain
expectations of culture, music,
dance, vibrancy, and hospitality.
Rajasthan's iconic destinations like
the elaborate Amer Fort are archi-
tectural wonders with stunning
arches and structures with large
open spaces within. The design
of Fairmont Jaipur was born as an
opportunity to draw inspiration
from these structures and create
the experience of living in these
spaces with views surrounded by
ever-present arches.
People from all over the world
travel to Jaipur to attend the
most lavish weddings. Fairmont
Jaipur is well-known for hosting
exquisite weddings and other
events; what kind of planning
and preparation goes into pro-
viding the best possible experi-
ence? Also, what are the most
popular locations at the property
for such events?
Fairmont Jaipur, the magnificent
property located in the pink city is
an exceptional wedding desti-
nation. The property provides
the Grand Ballroom where your
dream grand wedding can turn
into a beautiful reality. With a
space of 90,000sqft, this expan-
sive banquet has been graced by
crystal chandeliers, to recreate the
grandeur of a stately mansion for
the dream weddings.
Whether you want it to be
intimate or elaborate, they have
got you covered. Zui, the royal
gazebo, is a divine space for a ren-
dezvous that can hold up to 300
guests. This beautifully designed
banquet has made engagements,
anniversaries, receptions, san-
geets, and birthdays extremely
memorable for many of our
guests.
The courtyard, poolside,
rooftop, and lawns can also be
decorated and included in the
package for intimate ceremonies
as per your desire. The wedding
packages are crafted with utmost
care and cover all aspects that
are required to make weddings
a resplendent affair. The team
at Fairmont Jaipur will magnif-
icently put the entire montage
together, ensuring that your
event is filled with grandeur and
lifetime memories.
From the lush central 'Char-
bagh' and a majestic staircase
outside the Grand Ballroom,
brides-to-be have dreamy as
well as elegant options for their
special day. The entire space al-
lows for numerous gala wedding
decorations that make sure that
your D-Day is nothing less than a
fairy-tale wedding.
What qualities do you think
make this property stand out?
Fairmont Jaipur is an epitome
of luxury with innumerable
attributes that makes Fairmont
Jaipur exceptional. The property
is an architectural marvel. The
rooms are designed with Private
Hammam which provides an en-
riching & refreshing experience
to the in-house guests. Zoya, an
all-day dining restaurant, offers
a menu of lip-smacking inter-
national cuisines with a special
Rajasthani section focused on
royal traditions. Ruhab Spa- the
luxurious therapeutic spot with
the views of Aravali hills is be-
yond admiring. >>>
Ruhab provides complete relaxation as well as a restorative sense of well-being and inner balance. Indulge in a one-of-
a-kind holistic experience with our brand-new treatments based on your Zodiac sign.
D E S I G N M I D D L E E A S T | J A N U A R Y 2 0 2 3
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design-middleeast.com
How do you define wellness, and why should
guests understand its significance? What types
of spa treatments does the hotel offer at Ruhab
spa?
For thousands of years, the people of India have
turned to the holistic and traditional system of
Ayurveda to help them find healing and relaxation
and achieve balance and wellness throughout the
body. Fairmont Jaipur utilises this for its unique
range of treatments at Ruhab. Inspired by the
planet and four elements earth, air, fire and water
that define a person's dosha according to Ayurve-
da, Horo spa treatments are based on treatments
suggested in ancient Vedas, and offer therapies
tailored to the 12 signs of the zodiac. Ruhab - The
Spa at Fairmont Jaipur offers a restorative sense
of well-being and inner balance in an imperial-in-
Decor review
Jaipur, Rajasthan's magnificent capital, also known as the 'Pink City,' is a hub for tourists and visitors from all over the world
looking to explore and discover the Rajputana's rich history, glorious legacy, and multifaceted culture.
Zoya, the lively
restaurant on the
ground floor offers a
global menu featuring
the best of local cuisine
that was perfected
over multiple journeys
and meetings with
Rajasthani home cooks
and royal chefs.
While designing the hotel, we turned
our attention to celebrating the local
crafts and traditions of Jaipur. We
encouraged the finest craftsmen to create
masterpieces that to date have no match.
spired décor. Escape into a cocoon
of deluxe indulgence at Ruhab
with an array of therapies, person-
alised to offer utmost relaxation.
Our bespoke range of therapeutic
treatments and rituals are carefully
curated to offer a one-of-a-kind
holistic experience and luxurious
escape, leaving you rejuvenated
inside out.
How does a hotel remain a part
of the local community while also
attracting guests from further
afield?
While designing the hotel, we
turned our attention to celebrating
the local crafts and traditions of
Jaipur. We encouraged the finest
craftsmen to create masterpieces
that to date have no match. The
artistry has been displayed in >>>
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design-middleeast.com
31
the form of intricate frescos in
hues of blue, gold and red that
adorns the walls of the hotel.
These masterpieces were spe-
cially created for Fairmont Jaipur
by local artisans and craftsmen
as a contemporary interpreta-
tion of the Mughal aesthetic. We
even promote and empower
local communities by sourcing
local produce as much.
In your opinion, what is the
most impressive part of the
hotel?
As the gates of the palace open,
multiple areas such as the
arrival experience with 5 senses
welcome, Charbagh, Saheliyon
ki Badi, 400-year-old door,
reflective pool and the sunset
view spot are a few parts that are
appealing and create consumer
experiences.
How is technology enhancing
the consumer experience?
Keeping the entertainment going
we have OTT services such as
Netflix, Prime, and Hotstar in all
the rooms. Digital Check-ins
& Checkouts, Digital QR code
menus, and Digital Payments de-
vices have been installed for the
ease of our customers.
Guests can enjoy
complimentary internet
access and dedicated
ancillary services in a room
decorated in subtle yet rich
hues of gold and royal blue.
Tell us something about the
restaurants at the Fairmont Jaipur
and their designs.
The Mughals and the Rajputs
were impeccable hosts and their
feasts were legendary. Taking a
cue from the culinary traditions
of these great dynasties, Fairmont
Jaipur offers guests a range of
dining experiences that are unique
and memorable. Fairmont Jaipur
offers guests a range of unique and
memorable dining experiences.
Zoya, an all-day dining restaurant,
offers a menu of international
cuisines with a special Rajasthani
section focused on royal traditions.
Zia, Our newly launched barbeque
restaurant takes inspiration from
rience for guests, right under the
stars. The tranquil ambience of Zia
with warm table tops and live music
adds to the delightful gastronomic
journey and makes the entire expe-
rience truly memorable. The story
behind the Zoya design is from the
ancient days when the Kings would
go for a hunting spree, they would
set up their tents in the middle of
the forest and have regal feasts for
all. This story is recreated at the
palace hotel as you stand beneath
one of those royal tents or Sham-
iyanas of the golden days! And to
make the speciality of the Sham-
iyanas, the chairs that surround
you are Mother of Pearl, made with
camel bone inlaid work.
What are your targets and expec-
tations for next year?
We are expecting to take more
sustainability initiatives, and brand
collaborations and target NRI wed-
dings. There will be the addition of
a new speciality dining outlet, and
new upgrades for the room.
the grills of the Mughal era as well
as authentic American barbeque
trails, it offers a unique culinary
experience. Set amidst the lush
citrus garden, the restaurant lights
up magically when the gleaming
moonlight shines above and cre-
ates a spectacular dining expe-
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design-middleeast.com
D E S I G N M I D D L E E A S T | J A N U A R Y 2 0 2 3
futures
CREATIVE
Building
32
Interview
Mohammad Abdullah, president of DUBAI INSTITUTE
OF DESIGN AND INNOVATION (DIDI), talks about
the institute's participation in Dubai Design Week,
opportunities for students, and his vision for the future.
Page 35
design-middleeast.com
33
DIDI hosted informative workshops and a series of
discussions, and your students' innovative works
were displayed at Dubai Design Week. What was
the common thread between these activities that
you wanted to share with design enthusiasts/
attendees?
The ultimate message DIDI wants to convey
is that design is at the heart of the future
world. Our panel discussions and workshops
underscored how impact-driven and human-
centric design is essential in an increasingly
technology-dependent world. Whether we’re
talking about living in space or under the sea or
we’re talking about smart sustainable cities, we
must make sure that all conversations consider
the impact on people and the environment. Our
faculty explores this subject with students at
length, and it’s a message we aim to promote
with governments and other academic and
private organisations.
What projects and initiatives make you the
proudest at DIDI?
Faculty and students are involved in research,
discussions and projects that are impressive
and ground-breaking – so it’s nearly impossible
for me to pick! Our Graduate Exhibition ranks
high on the list. It’s the culmination of four years
of hard work, learning and curiosity where
students present final projects to the public.
Last year, we hosted our first one at Dubai
Design District. People got to see innovations
and prototypes, such as gamified technology to
track the development of children with ADHD,
an AI and AR app for patients with Dementia
and sustainable fashion concepts that show
multidisciplinary thinking.
The other point of pride is Project Design
Space. It has grown so much in such little time.
We have partners like the Louvre Abu Dhabi,
Mubadala Health, Expo 2020, Adidas and
HP, who challenge students across the UAE
and beyond to design solutions to relevant
problems in their industries. It is a very fruitful
and exciting way for students to learn and
engage with experts.
It must be incredibly satisfying to see the students
learning and graduating in life. What are your
expectations from them?
I hope that our students share forward what
they have learned at DIDI. I want to see them
imagine and realise a sustainable and inclusive
world armed with human-centric and purpose-
driven design thinking fundamentals. By
introducing other people to this approach,
we can start carving a future that leverages
the best of technology for the betterment of
humankind and the planet.
What is your sense of the institute right now? How
do you plan to sustain the momentum that has been
built and ensure the institute continues to move
forward on an upward trajectory?
Our secret to success has been our
commitment to caring and curiosity. We're in a
great place as long as these two pillars remain
valid for our faculty, staff, and students.
We also plan to grow with our student base
to ensure that all students can continue
learning in our intimate, interactive classroom
environments. As such, we’re always looking
for new professors, staff, and speakers who can
bring unique perspectives that align with DIDI’s
forward-looking approach. We also support
our current professors in learning about and
contributing to their fields and always be at the
cutting edge. Exploring strategic partnerships
and industry connections is part of an ongoing
effort to keep enhancing the institute’s offerings
with more hands-on experiences.
What kinds of opportunities will your students have
once your programme is completed?
Students go on to be employed by leading
companies within their specialisations, while
others go on to found businesses of their
own. Some students have even continued
developing their DIDI projects after graduating,
turning them into complete business models
and products. Students can tailor their career
path since we teach them technical skills and
transferrable skills like design thinking, problem-
solving, creativity and empathy that can serve
them in every aspect of life. >>>
DIDI takes a fresh approach to training and developing a new generation
of multi-skilled, well-rounded creative thinkers and designers
.
D E S I G N M I D D L E E A S T | J A N U A R Y 2 0 2 3
Exploring strategic partnerships
and industry connections is part of an
ongoing effort to keep enhancing the
institute’s offerings with more hands-
on experiences .
Page 36
D E S I G N M I D D L E E A S T | J A N U A R Y 2 0 2 3
design-middleeast.com
34
Interview
What are some of the biggest challenges?
People are still becoming familiar with design as an
academic or professional pursuit. Often, design is
instantly associated with disciplines like fashion or
graphic design. While that is part of our curriculum,
it’s about much more than that – design is integral
to the future world, especially as the digital and
physical realms overlap. However, conversations
around the future of work focus on the role design
disciplines will play. Prospective students are more
aware, and it is essential that parents and guardians
also see the value of this field.
The other challenge is ensuring students can
access internship programmes with relevant
companies. A lack of structured internship
programmes can impact a student’s ability to get
real-world experience. It is why such programs and
partnerships are built into DIDI’s curriculum but
expanding that pool from the professional side is
essential for student development.
What is your vision for the institute moving forward?
The demand for courageous, innovative and
empathetic minds has never been greater as we
head to the fifth industrial revolution and the
working relationship between smart technologies
and humans evolves. Our students represent that
future-focussed cadre of thinkers, innovators and
disruptors who will define the world of tomorrow
and make an impact.
What are the strengths of DIDI's courses?
First and foremost, the expertise of our faculty.
Professors at DIDI are experts in their fields and
contribute with research and insights. So, students
learn from active industry professionals whose
knowledge bank is continuously evolving and
growing.
Our curriculum is another strength, crafted with the
prestigious Massachusetts Institute of Technology
(MIT) and The New School's Parsons School of
Design. It brings a new, cross-disciplinary approach
to design thinking and teaching that instils flexible
skills in students to take on a rapidly changing
design and digital job landscape. Students must
choose from at least two of four disciplines –
Product Design, Multimedia Design, Fashion
Design, and Strategic Design Management – which
integrate design expertise, engineering know-
how and business management skills into their
educational journey.
What priorities are you looking forward to taking on in
the New Year?
Our priority moving forward is to continue
spreading the knowledge of what we offer at DIDI
to students and parents. Beyond prospective
students, we want to make our
academic principles available
to professionals in the industry
through more expert and faculty-
led workshops and panels.
Exploring new partnership
opportunities and connecting with
the industry remains a vital part of
our plans. We want to ensure our
students get a dynamic learning
experience at DIDI, which requires
us to innovate our offerings
continuously.
DIDI signed an MoU with Gulf Craft on
the sidelines of Dubai Design Week.
What does this partnership mean for
DIDI?
Our goal to create multidisciplinary
creative thinkers and designers
requires students to transfer their
innovative design thinking into
real-world, actionable projects.
Our partnership with a prestigious
brand like Gulf Craft shows how
we bridge learning from theoretical
to practical at the Dubai Institute
of Design and Innovation (DIDI).
It awards students a one-of-a-
kind opportunity to engage with
industry experts and demonstrate
how impact-driven design plays a
vital part in business success.
Beyond prospective students,
we want to make our academic
principles available to
professionals in the industry
through more expert and
faculty-led workshops and
panels.
Page 37
D E S I G N M I D D L E E A S T | J A N U A R Y 2 0 2 3
design-middleeast.com
35
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TO FIND OUT MORE
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D E S I G N M I D D L E E A S T | J A N U A R Y 2 0 2 3
36
design-middleeast.com
F&B
LYNN LIN
CO-FOUNDER OF THE
ELECTRIC PAWN SHOP IN
DUBAI, DISCUSSES HOW
HER ENTREPRENEURIAL
SKILLS AIDED HER
SUCCESS IN THE F&B
INDUSTRY, AS WELL
AS HER GOALS AND
EXPECTATIONS FOR 2023.
Electrifying!
How have your entrepreneurial
skills aided your success in the F&B
industry?
I personally went to business school in
the UK and then got a master’s degree
in the US. I have both Management
Consulting and Public Relations
background from China and the US.
Similarly, my business partner Lobito
Brigante has extensive experience in
the government sector as well as the
entertainment business and he cham-
pions project management.
We believe that the entrepreneurial
spirit is definitely a pivotal prerequi-
site for a successful business. Every
challenge can be solved, sooner or lat-
er - as long as you don't give up. There
are times things are not happening as
planned. Don't panic - focus on what
you can do now. Focus on what can
be solved today and keep moving for-
ward. Surround yourself with the right
Page 39
design-middleeast.com
37
people, from the accountant, lawyer,
design agency to the architect... you
name it. Build a solid relationship
with them over the years because
they are your closest allies.
You've worked all over the world
and are now based in Dubai. What
is your experience, and how does
cultural change affect the decor
and tastes of clients?
I spent nearly three years in Beirut
working in my previous bar. Coming
to Dubai definitely made me more
culture conscious and I know we
need to adjust accordingly. A lot of
our guests are Lebanese for instance
as they have followed us to our new
venue. We know their taste prefer-
ence for their drinks so we maintain
this whilst striking a balance to en-
sure we continue to attract and cater
to an international audience.
In addition, people are more health
conscious these days, so less sugar
and less calorie in drinks is always
preferred. We have also encoun-
tered very early on regular requests
for vegetarian dishes in our venue.
We moved quickly and added a few
delicious vegetarian options which
received waves of positive com-
ments.
What was your source of inspira-
tion for the Electric Pawn Shop?
Electric Pawn Shop is the successor
to Electric Bing Sutt, which I created
in Lebanon and won Best Bar in
Africa and the Middle East 2019 in
The World's 50 Best Bars. The bar
saw an abrupt demise as the Beirut
explosion in 2020 devastated the
venue in its entirety. Using my and
Lobito Brigante’s combined creativity,
expertise in music and entrepreneur-
ship, we teamed up to rise from the
ashes of the fate of Electric Bing Sutt,
and converged counter culture, >>>
D E S I G N M I D D L E E A S T | J A N U A R Y 2 0 2 3
The exotic, dystopian
counter-culture Asian
Mediterranean bar restaurant
Electric Pawn Shop is inspired
by New York's Chinatown in
the 1970s.
The concept is the
brainchild of two
like-minded friends
and entrepreneurs,
lifestyle creator and bar
mastermind Lynn Lin and
cultural innovator and
music professional Lobito
Brigante - both globally
acclaimed and respected
in their respective fields.
Embodying its eccentric nature
in its decor, the Electric Pawn
Shop space features fragmented
concrete island bars, a neon-lit
stainless steel Asian pavilion
hanging by a giant indoor
construction crane, a massive
collection of curated rare original
vinyl records, a glass brick
centre stage DJ booth, neon-lit
water tank art piece, intimate
red velvet couple seats, an
indoor amphitheatre, sci-fi style
cocktail laboratory and street
photography showcasing iconic
New York Chinatown scenes.
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design-middleeast.com
D E S I G N M I D D L E E A S T | N O V E M B E R 2 0 2 2
underground music, contemporary design, innovative drinking and din-
ing experiences into Electric Pawn Shop. Inspired by one of the oldest
Far Eastern businesses brought into New York, Electric Pawn Shop is the
certified broker of counter culture in Dubai, bringing a multilayered au-
thentic experience and defying generic standard nightlife expectations.
What distinguishes Electric Pawn Shop from other contemporary
restaurants?
I want to innovate and create the next generation of bars and restaurants
that would showcase contemporary Asian counter culture, food, drink,
design and lifestyle. I believe that other cultural cuisines have seen
modern interpretations, and it is clear there is a huge scope in the Asian
category to transcend. We’re challenging the status quo of bar lifestyles
one shop at a time, starting with Electric Pawn Shop.
Is there a storytelling element to the design creation of this F&B
venue?
Embodying its eccentric nature in its decor, the Electric Pawn Shop
space features fragmented concrete island bars, a neon-lit stainless steel
Asian pavilion hanging by a giant indoor construction crane, a massive
collection of curated rare original vinyl records, a glass brick centre stage
DJ booth, neon-lit water tank art piece, intimate red velvet couple seats,
an indoor amphitheatre, sci-fi style cocktail laboratory and street pho-
tography showcasing iconic New York Chinatown scenes.
Food and drink are the main highlights of any restaurant. What are
some unique items to try and not to miss when one visits this venue?
We really try to differentiate ourselves from other "Asian" venues that
focus heavily on Japanese-influenced dishes and serve sushi and sashimi
as a default. We try to shine some light on pan Asian cuisine where I
traveled extensively. From Thai-inspired Sukhothai Seafood Ceviche
with lemongrass and fish sauce to Sichuan Shrimp Chive dumplings
with authentic spicy Chengdu chili oil, we challenge the status quo and
introduce new flavours to our guests.
Cocktails-wise, the Electric Pawn
Star Martini with passionfruit and
a hint of anise definitely cannot be
missed. And if you are a fan of sour
gin cocktails, the Yacht Rocker Yan-
gon will surprise you with Sichuan
pepper and Thai basil notes.
How important is music to the
success of any F&B venue?
Lynn Lin: Food, drink, music, service
and vibe are core pillars of a great
experience in the hospitality in-
dustry. Often people are too much
product-focused (tasty cocktails,
delicious food) and they overlook
that without the right music, the
whole experience can be misinter-
preted. Music is also a medium to
communicate the brand, as much
as branding, and food and drink
presentation. The music you play
in a venue is not only a self-expres-
sion, it is also a statement of your
concept. Discovery of a new genre
of music, a new song, it’s all part of a
great night to be remembered.
Eclectic underground music sur-
rounds Electric Pawn Shop deliver-
ing funk-laced beats from different
genres played through a top-of-the-
line custom built sound system.
Lobito, my business partner, who
is also considered one of the music
trailblazers in the region, has
established a music program that
will showcase both emerging and
world renowned artists, producers
and musicians to give the venue a
fresh take for guests to enjoy every
flavour of food, drink and taste in
tunes.
Lobito Brigante (co-founder): Since
I started creating concepts in the
UAE, my goal has always been to
bring an innovative, authentic and
culturally disruptive experience to
Dubai. The majority of places just
offer more of the same generic for-
mulas and for me personally, this is
a huge step to create a counter-cul-
ture venue and, through our >>>
F&B
Electric Pawn Shop offers its vibrant space as a
platform to serve unique and culturally-fuelled
nightlife offerings.
Page 41
Electric Pawn Shop specialises in Asian Mediterranean cocktails
and cuisines.
We look forward to opening new ventures in Dubai. Both
Lobito and I visited many F&B venues here and around
the world and I believe we can still create new segments
in the market that guests have never seen before.
"
"
neon haze, match world-class
music selection and skills to a
global standard of bar culture.
Do you face any challenges in
the region in the F&B seg-
ment? Are there any specific
initiatives and actions do you
think Dubai needs to up the
level in F&B industry?
We found that while Dubai
customers have strong spend-
ing power, we are all spoilt
for choice in this city with so
many concepts and venues. It
is extremely important to be
consistent in all aspects of your
business: food, drink, music,
service and vibe. You need to
carve your own unique segment
in this crowded market, stay
true to yourselves and be au-
thentic - we believe this is only
way to make it. We also think
exceptional program planning
is crucial to success. Whether it
is a happy hour program, food
and package program or DJ/
bartending event - people need
excitement and new stimulus
- really standout and worthy
offerings to keep them focused
on your venue.
How much do you depend
on word of mouth and social
media?
World of mouth is definitely
important as we believe in
Dubai consistency is key. In a
way, it is also a small city and it’s
true sometimes when people
say everybody seems to know
everyone. You need to deliver
great experiences to your cus-
tomer, without fail every single
day for the sake of making their
night memorable - and trust me
word travels fast. Of course it
is undeniable that social media is also
key to business success in this market
- but if you are not what you say you
are, and if you are not delivering great
experiences to your guests, pretty
pictures and cool videos won't help in
the long run.
How do you see the F&B industry
evolving?
Smaller-scale restaurants and bars
will gain a stronger hold in the Dubai
market. Welcome the golden days for
200-300 pax venues which specialise
in a particular segment of cuisine
and drinks. Fast growing market for
Asian inspired venues that focus on
lesser commercialised cuisine such as
Thai, Indonesia, Korean etc. Natural
wine will see a rise in popularity and
demand across all type of fine casual
establishments. RTD and tap cocktails
will be prominent in high-volume
cocktail bars. Fine casual restaurants
and bars at affordable prices will see a
great increase in popularity.
What are your targets and expecta-
tions for 2023?
We look forward to opening new
ventures in Dubai. Both Lobito and
I visited many F&B venues here and
around the world and I believe we
can still create new segments in the
market that guests have never seen
before. There is a huge amount of po-
tential in the fine casual dining sector
for smaller venues with intimate ex-
periences. We also think the existing
cuisines in Dubai can be explored
further.
For our venue Electric Pawn Shop,
we are excited to welcome more inter-
national DJs and bartenders to show-
case excellent music and cocktails and
make more epic memories. Take overs
like these are usually very enriching
because both our team and our guests
learn a lot from each other with the
goal of elevating experiences from the
best of our industry’s practices.
My business partner, Lobito, and I
have always aimed to serve unique
and culturally-fuelled nightlife offer-
ings and I think we’re well on track
but we’re still very hungry to do more.
In the long run, our goal is to estab-
lish the most creative Asian themed
hospitality brand growing from the
Middle East to the rest of the world
that advocates a daring attitude, an
independent style and a distinguished
originality.
D E S I G N M I D D L E E A S T | J A N U A R Y 2 0 2 3
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design-middleeast.com
40
Event preview
W
ith the focus on the quality of
the proposals and the content,
on the user-friendliness of the
experience and the cultural
and professionally enriching
value of the event itself, the
new edition of the Salone
will play a pivotal role in the
trade fair transformation,
continuing to generate value
for exhibiting companies and visitors alike.
The 61st edition of the Salone del Mobile.Milano – at Rho Fiera
Milano from 18th to 23rd April 2023 – promises to be brimming
with new things and strongly geared to quality.
The first thing to point out is the huge investment in resources
and energy for Euroluce (Pavs. 9-11 and 13-15). The biennial
devoted to lighting will boast a revolutionised exhibition layout,
reworking the concept of proximity inherent in so many of Italy’s
historic town centres, by creating an irregular, geometrically
polygonal, fluid and free ring conceived by the studio >>>
future
INTO THE
LOOKING
THE SALONE DEL MOBILE.MILANO 2023
adopts a different guise, with a new general
exhibition layout, illustrating the possible
future evolution of the trade fair exhibition
with Euroluce.
D E S I G N M I D D L E E A S T | J A N U A R Y 2 0 2 3
PHOTO © ANDREA MARIANI
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design-middleeast.com
41
The Event has already
shown its concrete
commitment to finding
solutions and enacting
virtuous practices.
Testament to this are
its membership of the
United Nations Global
Compact, its circulation
of Green Guidelines for
planning and setting up
trade fair installations and
its work towards obtaining
ISO 20121 certification
for sustainable events
management.
As usual, the events will be
accompanied by a jam-
packed cultural program,
yet to be unveiled, full
of outstanding guests
who will bring to the
stage unprecedented
perspectives and exclusive
viewpoints on the world of
design.
The Salone del Mobile 2023
will again be an unmissable
occasion, an opportunity
for the entire sector to
come together, discuss
their particular projects,
swap and share ideas and,
not least, it will be a chance
to catch up again with our
international community
and take stock of the
current state of the design
industry, along with all of its
key players.
In the months leading
up to the 61st edition, all
the latest news, exclusive
content, designer opinions,
company insights, essential
visit information and more
will accompany us to
the 2023 Salone on the
salonemilano.it digital
platform
.
D E S I G N M I D D L E E A S T | J A N U A R Y 2 0 2 3
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design-middleeast.com
42
Event preview
Lombardini22, designed to optimise the user-friendliness
of this great exhibition. This new exhibition format is
packed with interdisciplinary and experiential cultural
content, ranging from architecture to art (exhibitions,
talks, workshops, installations), curated by Beppe
Finessi, alongside a number of young curators as well
as special guests such as leading contemporary artists.
Formafantasma will play a pivotal role,turning Euroluce into
an ideal city inside the new layout, designing public spaces
and special cameos, in a foretaste of the possible future
evolution of the trade fair format itself.
Maria Porro, President of the Salone del Mobile.Milano,
had this to say: “Thanks to teamwork, Euroluce will
be transformed into a great visitor experience, with
opportunities to find about and actually touch extremely
high-quality products and to learn more about themes
connected with the lighting world through a top-level
cultural offering geared to buyers, professionals and the
design community as a whole. We like to imagine it as a
dialogue between architecture and design, a source of
inspiration and enrichment for the visitor.
From this perspective, it’s interesting that
a number of companies specialising in
technical products have accepted the
challenge to take part in the Salone.”
This approach has extended from
Euroluce to the trade fair as a whole,
to some extent,involving rethinking
the format from an innovative and
contemporary perspective and coming up
with appropriate and effective solutions
and proposals to counter the challenges
facing the trade fair scene.
After listening carefully to all the
exhibiting companies – some of which
will be making a hugely enthusiastic
return after a period of absence, and
others that will be making their debut with
equal confidence – the Salone will be
making new support and visibility >>>
D E S I G N M I D D L E E A S T | J A N U A R Y 2 0 2 3
Launched in Milan in 1961 as a vehicle for promoting
Italian exports of furnishing and accessories, the Salone
Internazionale del Mobile is the global benchmark
event for the furnishing and design sector.
Page 45
D E S I G N M I D D L E E A S T | J A N U A R Y 2 0 2 3
design-middleeast.com
43
fairgrounds, a decision that will enable us to
optimise the visitor experience.
“Despite being beset by difficulties, the
wood-furnishing chain is preparing to close
2022 12% up on 2021. FederlegnoArredo
Study Centre Monitor surveys show that
this is also reflected in the Furnishing Macro
System results (with sales equivalent
to 4.58 billion euros), which saw a 12.7%
rise in the first nine months of 2022, with
Italy seeing a 14.7% growth trend, while
exports were up 11%. Estimates are that
the Furnishing Macro System could close
2022 8.1% up. These results are highly
satisfying for a sector that will also have
an opportunity at the upcoming Salone del
Mobile di Milano to present itself to emerging
markets with a reworked formula shared
with the participating companies, which will
take shape with Euroluce. An experiment
that testifies to the vitality of Made in
Italy, as represented by our businesses,
and which will be crucial for tackling what
promises to be a very uncertain 2023,” said
FederlegnoArredo president Claudio Feltrin.
Lastly, SaloneSatellite will be in a new but
entirely natural location inside the Euroluce
pavilions, given that it represents the future
of design par excellence, and the 2023
edition will devote a particular focus to the
Design Schools and Universities with the
theme Design School: Building the (im)
possible. Process, Progress, Practice. By
putting the spotlight on them, SaloneSatellite
wants to underscore the unforgettable
contribution they have made and continue
to make to the training of young designers
and to the advancement of design.
tools available through the Salone
digital platform and the online services
connected to it.
Equally, in-depth research has been
carried out, involving more than 2,300 field
interviews with visitors from all over the
world, in a bid to ascertain how best to
improve the trade fair experience and its
accessibility. This has triggered a new vision
for the upcoming edition of the Salone,
which will be held on a single level at the
Environmental,
financial, and social
responsibility will be
a top priority at the
2023 edition.
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44
U
niversal Trading Company
(UTC), a name that has
become synonymous
with high-quality home
and kitchen appliances,
is celebrating its 50th
anniversary in the region in 2023.
UTC is the exclusive UAE distributor
of world-renowned home and kitchen
brands such as Nolte Küchen, AEG,
IGNIS, and Turbo Air, among others and
has been supplying European kitchens
and appliances to large-scale residential
and retail projects and direct consumers
such as Tilal Al Ghaf project Harmony 1,
2 and 3.
Kitchen
celebrate
Double
reasonto
UTC commemorates its 50th anniversary with a renovated
Abu Dhabi showroom and the Design ME Award.
Since 1973, families
across the UAE have
relied on UTC to provide
high-quality kitchen
designs and appliances.
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D E S I G N M I D D L E E A S T | J A N U A R Y 2 0 2 3
design-middleeast.com
A
testament to its commitment to
excellence is the renovation of its famed
Abu Dhabi showroom, which also
received the award for Best Independent
Kitchen Showroom in Dubai at the Design ME
Awards 2022. Organised by Design Middle East,
a magazine that brings together a carefully
curated selection of architecture and interiors
All Nolte products are made in Germany at the company's production
facilities in Germany. This enables the company to maintain control over
efficiency and quality.
Nolte's quality promise is respected around the world
because it uses high-quality materials in every kitchen,
bar unit, utility unit, and hygiene unit.
UTC's Abu Dhabi showroom is
a 288sqm space that showcases
five kitchen displays, as well as a
full range of home and kitchen
appliances from UTC's portfolio of
premium European brands.
from the Gulf, Levant, and
beyond, the Design Middle East
Awards celebrates the creative
best and foremost from the
region's design and architecture
industry.
Located on the prime street
of the capital, UTC’s showroom
in Abu Dhabi is a 288sqm.
space that showcases five
kitchen displays, with a full
range of home and kitchen
appliances from UTC’s portfolio
of premium European brands.
The showroom recently held
its grand launch, which was
attended by Katja Decker, Head
of Press and Economic Affairs
of the German Embassy Abu
Dhabi, notable members of the
media, movers and shakers of
the industry such as Lana Kaati
from UAE Moms Group and
Nisrine Harfnoon, a renowned
interior designer.
Aside from touring the
expansive showroom, guests
were able to watch cooking
demonstrations by renowned
Chef Amna Al Hashemi, founder
of Mitts & Trays Café Restaurant
and Another One >>>
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design-middleeast.com
Kitchen
The UTC showroom in
Abu Dhabi embodies the
company's commitment
to providing companies
and homeowners with
the highest standards
of kitchen concepts,
technology, and designs..
Catering, and sample her
delectable culinary creations at the
event.
UTC’s showroom in Abu Dhabi
brings to life the company’s
commitment towards providing
companies and homeowners with
the highest standards of kitchen
concepts, technology and designs.
Its kitchen displays highlight a
range of finishes, styles, materials
and colours, allowing customers
to envision their ideal space based
on their different needs. From
rustic to ultra-modern, from a
bachelor’s pad to a mom’s dream
kitchen, UTC’s showroom offers
design inspiration and practical
solutions to spark creativity and
joy in all types of people. Among
the brands on display at the
showroom are Nolte Küchen’s
100% made in Germany Kitchen
and Spa Cabinets, AEG and IGNIS
appliances and Turbo Air cooker
hoods.
UTC is also the exclusive
distributor of Nolte Küchen,
with a partnership that has been
growing strong for 15 years. With
over 90 years of experience in
the industry, Nolte Küchen has
won the hearts of consumers
after being voted Germany’s most
popular kitchen brand for three
consecutive years and produces
over 1,500 kitchens per day. With
its commitment to innovation
and sustainability, Nolte Küchen
is the only kitchen and furniture
"We are very grateful for the trust of our loyal customers and we
look forward to bringing you more smart, innovative solutions in
our latest showroom, accompanied with the unfailing care and
customer service that UTC is known for."
Ziad Abdel Nour, general manager of Universal Trading Company
manufacturer that currently holds
two of the world’s most important
environmental certificates - PEFC
(Programme for the Endorsement
of Forest Certification Schemes) and
FSC (Forest Stewardship Council).
“We are very excited to be
celebrating 50 years in the
industry, five decades of providing
homeowners and companies with
European brands of the highest
quality that will allow them to realise
their creative vision for their spaces
and at the same time, improve their
quality of life as well. We are very
grateful for the trust of our loyal
customers and we look forward to
bringing you more smart, innovative
solutions in our latest showroom,
accompanied with the unfailing care
and customer service that UTC is
known for,” said Ziad Abdel Nour,
general manager of Universal Trading
Company.
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design-middleeast.com
Central
Design
Woods Bagot explains the design details
of the 25hours Hotel One Central in Dubai,
the first 25Hours Hotel outside of Europe.
Overlooking the Museum of the
Future, beside DIFC, the hotel
boasts 434 rooms and suites in
addition to flexible events and co-
working space.
Five distinct restaurants and bars take
guests on a culinary journey around
the world.
Hospitality design
What is the inspiration for the
architectural and design features of the
25Hours Hotel?
25hours Hotel One Central is the first
25Hours Hotel outside Europe, providing a
distinctive guest experience.
Stories of Dubai, its past, present and
future, are interwoven, evoking emotions
for guests at every corner. 25Hours
One Central Dubai is layered with the
experience of celebration, when the
satisfaction of normality wains, the
thrill of a new adventurous call. The
property brings a sense of belonging to a
community. It is not just a place to stay for
a night or have lunch; it is a place where
you love to be, to work, mingle around and
feel that you belong. >>>
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49
Can you tell us what is the sort of
atmosphere and vibe a 25Hours hotel
would like to portray to their customers?
The design of 25Hours Hotel One Central
Dubai brings with it an unusual and intriguing
story. It is layered with the celebration of
experiences, and the main question for
guests is how much you want to know and
how much you want to explore. This is a place
with stories of the past and the present,
which aim to form connections with guests
so that they think of their experiences long
after they’ve left.
There is plenty to explore and to be
occupied during a stay. The message is ‘Grab
your steering wheel, hold on and immerse
yourself as much as you can…’
What is the unique value proposition that
you offer to your customers?
Guest experience lies at the heart of this
design, with every space – from lift to room
to restaurant – considering how guests
might interact with their surroundings. Each
element of the design has been carefully
curated to make this property truly >>>
Can you tell us what are distinct features of the 25Hours
hotel?
Design of the ancient Nomads and Bedouins weave their tales into
the modern days where the local heroes meet the world travellers.
From the drop-off and entrance area to the double-volume space
of the Lobby with impressive ceiling art, filled with antiques and
intricate items from local markets, it is a place where we all modern
nomads are on our journey. Creative break-out areas provide
unique spaces to enjoy the environment, meet, work, type a letter
to loved ones or take a journey in time discovering gems of the
analogue world.
The Woods Bagot team collaborated closely with 25hours Hotel
CEO Christoff Hoffman and the client's creative team, the Extra
Hour Lab, on the design storytelling of the ancient Nomads and
Bedouins; weaving their tales into the modern-day where local
heroes meet world travellers.
The Woods Bagot team collaborated closely with
25hours Hotel CEO Christoff Hoffman and the
client's creative team, the Extra Hour Lab, on the
design storytelling of the ancient Nomads and
Bedouins; weaving their tales into the modern-
day where local heroes meet world travellers.
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design-middleeast.com
multi-dimensional – a living room, a party
paradise, a romantic getaway or simply
the go-to destination for creative business
meetings and co-working.
Does having the Museum of The Future
and DWTC close by help make the hotel
a strategic location?
One of the challenges was figuring out
how to incorporate the story of the
25hours Hotel into the low-rise clean-lined
building that is part of DWTC's One Central
Development. The structure also overlooks
the Museum of the Future, a landmark
structure that had to be considered both
internally and externally. The team was
able to make this hotel a special and
wondrous place for all to explore thanks to
a successful collaboration with the client
and Hopkins Architects.
Tell us a bit about the restaurants and
bars in the hotel and how it offers a
unique offering. Recommended dishes
and drinks that a guest should have in
Ernst and Tandoor Tina?
Guests at 25hours One central can
experience five different dining venues,
each of them with its own character and whimsical elements:
2 restaurants - Tandoor Tina & Ernst Biergarten
3 Bars – Nomad Bar, Monkey Bar & Shisha
Tandoor Tina was inspired by a journey through India with a
Western twist, contrasting authenticity and modernity at the same
time. It is reviving exotic smells, colours and tastes with a carefree
feel. Layered with warm lights, pastel hues, wicker textures and
checkered whitewashed patterns to wooden floors alluding to the
contemporary Indian flavours. Adjacent to the main dining area
is a secluded tropical garden with lush greenery located in the
courtyard of the main building. This a dreamer garden where you
can have your cocktail in hand, and a sharing plate within fingertip
reach.
Recommended dishes from our team: favourites are okra chips
served with grape and mint chutney and spicy mango salad as
starters followed by butter chicken and to finish with a signature
dessert coconut kheer served with fresh mango sorbet, rose and
pistachios. When time allows, have a chai served in a co-branded
cup from customised chai tea cart.
Ernst Biergarten – a traditional and cherishing Bavarian
Wirsthouse with German beers on draught.
Deep green walls are filled with vintage metal and wooden tools,
musical instruments and arts combined with solid carved wooden
furniture to echo the European nation’s famous breweries.
In the centre of the ceiling is a large maypole painted in traditional
Bavarian colours with the decoration of graphically vivid garlands.
Guests can keep their personalised steins in lockers.
It features live music, and quiz nights and allows people to >>>
25hours Hotel One Central
is located right next to the
World Trade Center station
on the red line of Dubai
metro.
Hospitality design
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51
watch matches from all around the
world on multiple screens.
Ernst has a private dining room with
an eclectic and authentic collection
of furniture, accessories and artworks
for up to 20 true Bavarian lovers.
Recommended dishes from our team:
Recommend starting with an obatzda,
creamy cheese dip with a sprinkling
onion served with a warm buttery
pretzel. Any traditional German main
dish will satisfy meat lovers. Finish
with a truly special apple strudel with
ice cream.
There is also a co-working space
or quiet area for people to do their
work - is this restricted to only the
guests at the hotel or can non-guests
use that space? Do you see this
as a future trend for most hotel
properties in Dubai?
As modern nomads, the guests and
non-guests are invited to come as
they are and use a large, beautiful
rosewood feature table to meet,
connect and work at ground level
beside double volume library shelf or
grab a book.
At the gallery on level one, there
is a flexible co-working space, a
perfect setting for creative thinkers,
productive discussion, or a simple
chat with a friend. It has high-speed
internet and flexible groups of seating,
The hotel design is intricately
woven and displayed floor
by floor, creating an entirely
contemporary narrative and
promising a truly unique
experience.
A paint and pottery studio,
podcast recording room and
record decks also add another
stellar dimension to the
offering in true 25hours style.
vegetation groups.
design-middleeast.com
so it has become a space for ‘work from anywhere. This creates a nice
neighbourly feel with a lot of fun which fits perfectly in a resilient and
adaptable fast-changing world.
Tourism has had a massive comeback to Dubai - how do you
see this translating to bigger growth in the hospitality sector in
2023?
We see a focus on digital and experiential tourism as well as on a
sustainable pace of tourism growth.
It is becoming easier to live and work from anywhere. This can impact
booking patterns, with longer stays and less number of trips during a
year.
Aside from traditional hotels, there is a hybrid hotel style with a
number of services and branded residences. They become very
attractive for families and people who are looking to stay longer.
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Design wellness
I
n this fast-paced world, it
is important to push the
boundaries of products,
services, and spaces
to include benefits
for as many people
as possible. Universal
designs incorporating various
techniques serve the purpose
of minimising the challenges
in adoption and optimising the
products, services, and spaces for
the specific needs of users, which
are not limited to physiological
difficulties or cognitive challenges
but cover the overall spectrum of
well-being. Several inherent built
environment limitations strictly
limit where and how designers
integrate an inclusive approach to
provide accessibility to all users.
However, if the accessible design
is considered when a space is
built, these spaces like schools,
restaurants, healthcare facilities,
recreational spaces and more
can significantly have higher
inclusionary capabilities for those
with accessibility challenges.
Inclusive and accessible
design are correlated, and both
focus on solutions that work for
people in diverse circumstances.
Accessible design within the built
environment has often focussed
on mobility conditions, and with
time it has extended to include
mental health.
Making the Built Environment
Inclusive
While inclusion is crucial in
design and construction, there
are several challenges to
implementing the inclusive design.
From the skill set and education
of designers to communicating
its importance to the public and
explaining the business rationale
to the industry, the industry
needs to keep track and change
constantly. Furthermore, the lack
of a uniform accessibility code
or set of guidelines also results
in the uneven implementation of
accessibility. However, countries
like the UAE have been taking
collective efforts to combat social
exclusion and marginalisation.
The innovation and universal
design projects in Dubai create a
new paradigm in inclusive urban
development. Expo 2020 is a
perfect example of harnessing the
power of design and embedding
inclusivity at mega-events. It
has showcased a new level of
accessibility with solutions like
sensory experience through texts
in various languages and >>>
DESIGN
THAT PROMOTES WELL-BEING
Vrushali Mhatre, Assistant Professor School
of Textile and Design at Heriot-Watt University
Dubai, sheds light on the evolving attributes of
design, its implementation, and how this can
significantly contribute to overall well-being.
"Inclusive and accessible
design are correlated, and
both focus on solutions that
work for people in diverse
circumstances.
Accessible design within
the built environment has
often focussed on mobility
conditions, and with time it has
extended to include mental
health."
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53
Braille which made it easy for the
visitors to find their way around
the exhibition. The sensory
stations allowed every visitor to
experience the architecture and
its environment.
Dubai has been leading in
improving accessibility within the
Middle East’s built environment.
To empower and accommodate
the people of determination
and embrace all aspects of life,
the UAE government approved
the ‘Universal Design Code in
2019’. The code indicates the
specifications for designing,
constructing, and managing
to build an equitable and
inclusive environment that
meets the needs of diverse
users. Accessibility codes
and comprehensive design
standards are a starting point
for creating truly inclusive
spaces. However, it is important
to look beyond these legislated
guidelines and consult with
accessibility advocates and
advisors to create a more
conducive built environment.
Implementing Inclusive
Design in the Workplace
Across industries, companies
plan to transform the
workspaces to offer a positive
employee experience by
accepting and acknowledging
differences. For instance,
standing workstations for
people who prefer working this
way rather than sitting for long
hours, height-adjustable tables
with comfortable work desks,
and door handle with levers
or automatic doors for ease
of access for all employees. In
addition, inclusive design is a
critical approach that allows
companies to break barriers
for people of different abilities,
cultures, and socioeconomic
statuses to make them feel
included in the workplace.
Moreover, it must be integrated
within the initial phase of
planning and design to create a
workspace where employees,
based on their diverse
requirements and needs, are
not segregated but conducive
to their efficiency and mental
health. By creating more socially
and physically inclusive spaces
and flexible work environments,
designers can significantly
contribute to economic viability,
and companies can make the
best use of the workforce. For
instance, Heriot-Watt University
Dubai campus showcases some
of the campus design elements
such as neutral colours,
acoustical panels and height
adjustable tables. The self-
customisable design minimises
the difficulties of adaptation
for all users. Designers are
responsible for understanding
the users’ expectations to
remove possible barriers and
actively design an inclusive
space. Many designers are now
also including and integrating
sustainability into the overall
design process, indicating
a significant shift in their
approach.
Designers play a key role in the
design of inclusive and socially
conscious interiors. Thus, it is
imperative for designers to
be thoughtful of the ethical
and social implications of
design. However, gaps in their
foundational training can
impact their ability to consider
the social implications of their
design practice. But there are
several educational programmes
and specific courses that offer
specialised training, sessions
and workshops in different
areas to include universal
design parameters. Moreover,
academics play a crucial
role in training designers into
developing the broader societal
and individual implications of
their future designs and inspiring
them to create a positive
societal impact.
By creating more socially and physically inclusive spaces
and flexible work environments, designers can significantly
contribute to economic viability, and companies can make the
best use of the workforce.
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design-middleeast.com
Project
CosyVIBES
THE
D E S I G N M I D D L E E A S T | J A N U A R Y 2 0 2 3
ZKING INTERIORS' MADISSON
HOUSE PROJECT IN MOSCOW
COMBINES WARM WINTERY
HUES WITH FRENCH LAND-
SCAPE STYLE.
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55
COURTESY OF JAMES WARD OF JAMES WARD PHOTOGRAPHY
M
adisson House is
an elegant modern
French house with
an interior design
concept inspired by
the surrounding winter
landscape of woods
with frozen cher-
ries. The project by
Dubai-based designer ZKing Interiors is a fantasy for
those seeking both luxury and comfort.
The exterior of the house was designed in Andre
Le Notre's signature classic French landscape style.
It complements the house's construction while also
serving as a standalone work of art. It is a classic regu-
lar garden with perfect geometry and proportions, and
the house is the focal point.
The concept's colours are visible in the garden:
when the flowers bloom in the summer and spring,
the garden turns white, and when the leaves turn red
in the autumn. The complex's exterior consists of the
following structures: the main house building, the sum-
mer kitchen and lounge, the guest house, and a secret
garden for gossiping and private conversations.
The house is a 420sqft room divided into two floors:
the first is public and includes a living room, kitchen,
dining area, laundry, and office, while the second is
private and includes a guest room, children's room, and
master bedroom. >>>
Proud owners of the Madisson House.
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Project
BOTTOM
The living room area
immediately draws attention
due to its festive appearance
and mirrored fireplace.
The house is filled with old
world charm and modern
accessories that complement
the overall style.
The complex's exterior consists of the
following structures: the main house
building, the summer kitchen and lounge,
the guest house, and a secret garden for
gossiping and private conversations.
The entrance room is minimalist in design in order not to draw attention away from
the living room; it has pouffes and a wardrobe on each side. The hall leads us in three
directions, depending on our goal: the working area (laundry, garage, office) is on the
left, the private area upstairs is on the left, and the living room is in front.
The living room area take all the attention immediately - thank to it festive look and
mirrored fireplace. This is the place where the family can relax, talk and watch TV. The
TV set is bespoke, made by the designer sketches from oak. The sitting furniture is by
Curations Limited. All the lighting is Baccarat.
The mirror is bespoke, made by the
designer sketches. It has comforting
beige - like a puffy snow during the win-
ter, dark brown details - like frozen trees
and small touches of red decor to give
the interior a little cherry on the top. The
flooring is tiles from Kerrama Marazzi.
Lamps from Ralph Lauren Home. Con-
soles are from Eicholtz. The rug is from
Rug Company.
The open kitchen is made of marble,
while all other equipment is maximally
cleaned under the counter so that vis-
itors are not distracted by the process
of creating the food. Your attention is
then immediately drawn to the Bacca-
rat chandelier above the kitchen island.
The bar stools are from Eicholtz.
The plates used as decor is Hermes.
The kitchen is bespoke. The bespoke
cupboard is hidden under the TV and
can be used from the kitchen and din-
ing room at the same time. The dining
room area is made for cosy family
dinners. The two cupboards on a side
are from Italian brand - Guerra Vanni.
The table is bespoke made from oak.
The chairs are from Curations.
The office is made as a contrast to
create a working mood.
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design-middleeast.com
From
personalities
for
personalities
axor-design.com
AXOR ShowerHeaven
by Phoenix Design
•
AXOR Edge
by Jean-Marie Massaud
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design-middleeast.com
THE BUREAU BUSINESS
CENTER (THE BUREAU), the
UAE's first female-focussed co-working
space, has opened in Dubai's Gold & Di-
amond Park. Nikita and Rhea Patel, sis-
ters from Dubai, co-founded the space
to create a welcoming, supportive
environment that encourages women
to share space, ambition, and energy.
Co-working space
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LADIES
YOU'RE MOST WELCOME!
T
he Bureau, designed by Designsmith,
features a variety of cosy and
beautifully designed spaces, includ-
ing private offices, meeting rooms,
co-working lounges, a podcast
studio, and phone booths. There is a
fitness studio, NA, a pumping room
for new mothers, and a vanity room
with showers and lockers on the personal front. Jones
the Grocer, the in-house cafe, will also serve a variety
of coffees, snacks, and healthy mains. The fitness studio
and cafe are both open to both Bureau members and
non-Bureau members.
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59
Founder Rhea Patel said: “I
have always been a big be-
liever that a good workspace
is the key to productivity,
and the first step towards a
happier work life. Everyone
has varied work styles and
preferences, and it is im-
portant to cater to diverse
profiles. Some may seek
motivation in the form of
community, some find it in
great design, and others by
adaptable work solutions. We
have really taken the time to
understand customer needs,
to the extent that we even
have a pumping room for
breastfeeding mothers. Our
goal was to create something
that truly enhances lifestyles,
and creating good energy
and culture is at the core of
our purpose.”
The Bureau is much more
than just a place to work
or an office solution. This
one-of-a-kind co-working
space is focused on housing
and forming communities
of people who value lifelong
learning, sharing experiences,
and supporting one another.
The space offers a variety of
events and mentorship pro-
grammes, including tradition-
al and reverse mentorship,
industry-specific matches,
and more, to provide truly
purposeful networking and
growth opportunities. Finan-
cial empowerment, women's
mental and physical health,
and a taboo talks series
are among the topics and
themes covered.
Designsmith's project is
spectacular. The focussed
working area on the left and
a series of conference rooms
with a theme and accents to
make the area more vibrant
are immediately visible upon
entering the reception area
.
Indoor plants add life
and warmth to the
interior, while unique and
contemporary lighting
fixtures as accents and
wall paintings can create a
cutting-edge workspace.
D E S I G N M I D D L E E A S T | J A N U A R Y 2 0 2 3
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design-middleeast.com
Pick of the month
O
ngo is a mush-
room-shaped re-
chargeable lamp creat-
ed by Jessica Corr for
Tzelan, Tony Chi, and
Contardi. This iconic
portable table lamp, with its petite
dimensions, harmonious proportions,
and captivating silhouettes, illuminates
and delights, infusing a little magic
throughout the house. It is available in
a variety of colour combinations and
finishes, including handblown Murano
glass, dark orange lacquered, satin
gold, and warm lacquered nickel.
www.contardi-italia.it
Ongo
MAKE ROOM
FOR
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